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Rijeka Sava u povijesti zbornik radova. Heritage as a whole is completely left aside, reduced to the preservation of a few free-standing objects in situ, but actually excommunicated from the urban context due to the excessive contrast with the powerful symbols of globalization. Although architectural and ur- banistic interventions within the Sava River waterfront after did not significantly change the existing situation, the key problems of its Fig. Vizuelnost i kreiranje gradskog identiteta —Beograd: In the end, a view of Belgrade can be blocked and obstructed only once.
Mainly initiated aleksxndar public competitions, these voluntaristic undertakings are usu- ally kadijevif by the support obtained in the elections.
It can not be neglected, but in Serbia rarely emphasized, that the central zone of New Belgrade, for ideological reasons, was directed predominantly north-south, marching thus toward the historical city on the right bank. The hosts from Likhachev foundation supported all my interests and needs, and organized alekszndar cooperation with many prominent curators and historians. It was commissioned by the newspaper and was not a iadijevic of the marketing campaign of the investors.
In the beginning, there were not any public reactions or doubts raised regarding the project, and even today its author is unknown. Michael the Archangelconveying a strong political message Fig.
In this sense, it would be inappro- Fig. The image shows an obvious disparateness compared to the rest of the city in alemsandar scene, primarily because of a false logic of putting the highest buildings on the slope at the lowest vertical alignment. Architectural historian, Chief of Dept. Namely, the general approach to thesection on both banks of the Sava River covering the kadjjevic from apart of the highway passing through Belgrade to the confluence of the Sava and the Danubein the north offered the possibility for the capital to compensate for alsksandar missed throughout the history for consolidation of fragmented parts in this area.
Remember me on this computer. However, the urban- istic and architectural activities on the waterfront were not all techni- cally balanced.
Only this can explain why the waterfront on both sides the Sava River was constructionally neglected for decades, and not regardedas the point of meeting or connection. Likhachev International Charitable Foundation, Click here to sign up. A large number of buildings shown on the model have a multy-storey construction of unclear purposeat this moment, from which only parts of the building volume go upward.
In that first version, including several varieties set out later, the specified constructions were of much less capacities and parameters than it is the case today when resi- dential, commercial and infrastructure facilities kadievic extensive square footage are predominant Fig. The main architectural and urbanistic impression regarding the project originally defined by the model and only then elaborated in ablueprint is that it is a densely built-up apartment-commercial complexwith individual high-rise buildings 15—25, and morewhat in the globalization architectural practice has become a code generated for opposing the local heritage.
Moreover, it was not until the beginning of the twentieth century that it became the subject of comprehensive studies and regulatory plans.
Cultural fellowships in Russia – Aleksandar Kadijević
The project was not made public, although it contained some innovative and technically applicable solutions for the area along the right bank of the Sava River. In the second half the s, preparations for a major public competition under the auspices of the International Union of Architects UIA historically went wrong because the government authorities of the Republic of Serbia were on the downward path at that time. Regarding the scheme, the structure of the initial project has been gradually changed, first by adding a meters high cucumber-liketower on the river bank and a less spacious shopping mall.
This is evident in the partial implementation of the Master Plan of Belgrade from made by Russian emigrant architect Geor- gije Kovaljevski, which specified construction of a promenade and a Fig. EPILOGUE Regardless of multiple objections, the investors still insist kadikevic the construction of objects that are, according to the common attitude of the most competent experts from Belgrade, inap- propriate for any layer of local cultural tradition8.
In the meantime, the hastily made political decisions about not limiting the number of floors should be re-examinedand some reputable domestic designers should be hired. Due to the leveling of the land and partial recovery of wetlands in the waterfront area, a modest port kadijevi Liman developed, which in the following decades expanded and aoeksandar for the purposes of defense, water management, transportation, industry, trade and customs.
Devoid of the common, plain typology, morphology and customary coloring of the Euro-Mediterranean urban tradition, inherent to the visual identity of Belgrade, the project considerably modifies the centuries old cultural matrix.
All insights will be very useful for my further work, as well as the dialogues with local experts. Reka i gradski prostori u Srbiji. Transporta- tion infrastructure retained the pri- macy on the right bank and continued to hinder direct contact of the citizens with the Sava River, while on the left bank gradually grew a Le-Corbusier-like modern city.
Guided by the interests of daily politics declarative and publicthe initiators of these globalization recastings usually avoid local creative forces, engaging foreign branded design companies. Log In Sign Up. Late imperial and Art Nouveau periods were in my main focus.